Jonathan Monk: A Calendar of Meetings

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Quick Overview

+ 2016 wall calendar
+ 8.5 x 11 inches
+ Designed by Macfadden & Thorpe
+ Limited run of 500
+ Released in 2016

This calendar is an almost complete collection of Meeting pieces by UK-based artist Jonathan Monk.  These pieces have never before been gathered/archived in one document, and include everything from Meeting #3 (Palais des Galces Paris le 16 mars 2006 17h15) to the new meeting specially created for this calendar (Golden Gate Bridge San Francisco September 30th 2016 noon).  This document-cum-calendar was made as a gift to subscribers of THE THING Quarterly.

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"The artist will meet the owner of each piece at the place and time stated.  It is important to understand that the work is the actual rendezvous and not the invitational text that preceeds it.  It is also important to realize that like all meeetings, there is a possibility these meetings will not be met."  - Jonathan Monk


British artist Jonathan Monk replays, recasts and re-examines seminal works of Conceptual and Minimal art by variously witty, ingenious and irreverent means. Speaking in 2009, he said, ‘Appropriation is something I have used or worked with in my art since starting art school in 1987. At this time (and still now) I realised that being original was almost impossible, so I tried using what was already available as source material for my own work.’ Through wall paintings, monochromes, ephemeral sculpture and photography he reflects on the tendency of contemporary art to devour references, simultaneously paying homage to figures such as Sol LeWitt, Ed Ruscha, Bruce Nauman and Lawrence Weiner, while demystifying the creative process. Monk is constantly asking ‘what next?’ His stainless steel series entitled Deflated Sculpture (2009) refigures Jeff Koon’s iconic balloon rabbit in various stages of collapse; letting the air out isn’t an act of iconoclasm so much as giving the original idea new life. So too Monk documented the period he lived in Los Angeles with a series of photographs titled None of the Buildings on Sunset Strip (1997–99), showing only the roads between buildings – a follow-up to Ed Ruscha’s artist book from 30 years before, All of the Buildings on Sunset Strip. But his conceptual configurations are also grounded in the personal: ‘what next?’ takes on a poignancy in the slide projection In Search of Gregory Peck (1997), where Monk brought together a collection of photographs taken by his late father in the 1950s, preceding him as a tourist in the US.

Jonathan Monk was born in Leicester in 1969 and lives and works in Berlin. He has a BFA from Leicester Polytechnic (1988) and an MFA from Glasgow School of Art (1991). Solo exhibitions include Centro De Arte Contemporáneo (CAC) Málaga (2013), Kunstraum Dornbirn, Austria (2013), Palais de Tokyo and Musee d’Art Moderne, Paris (2008), Kunstverein Hannover (2006), Institute of Contemporary Art, London (2005) and Museum Kunst Palast, Dusseldorf (2003). His work has been included in many group exhibitions, including Whitney Biennial (2006), the 50th and 53rd Venice Biennales (2003, 2009), Berlin Biennale (2001) and Taipei Biennial (2000). He was awarded the Prix du Quartier Des Bains, Geneva in 2012.

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